(CNN) -- Para mí, algunos de los trabajos más emocionantes y persuasivos hechos por artistas jóvenes reflejan la miríada de formas en las que las nuevas tecnologías han tenido un impacto en nuestra existencia cotidiana, las relaciones humanas y la conexión física con el mundo, al traer preocupaciones históricas antiguas sobre el arte en relación directa con la forma en la que vivimos nuestras vidas ahora.
Many of these artists operate between the real and virtual dimensions in their explorations of the contemporary world, and make information from one state to another.
Eloise Hawser, London
The artist based in London Eloise Hawser (born in 1985) is fascinated by technology, new and ancient, and our body relationship with her.In her video "Sample and Hold" (2013-15), she submitted her father to the process of scanning him in 3-D to create an exact geographical map from the forensic point of view, but emotionally disconnected, which she can encourage, manipulate and reproduce endlessly.For her recent individual exhibition at the Institute of Contemporary Art in London, "Lives on Wire 2015", she reused the color change mechanism of an old Wurlitzer organ, an accompaniment that had a short life, but once it was popular in themute films of the United Kingdom, and incorporated it into the gallery lighting system to create a subtle changing atmosphere.
Charlotte Prodger, Glasgow
The artist based in Glasgow, Charlorre Prodger (born in 1974), looks for moments of intimacy within the unlimited Internet world, by selecting YouTube material, Internet forums and personal conversations by email that describe the interactions with objects that are close to, exploring distance and desire.Its facilities combine sculpture, moving image and the spoken word often presented as a team selected both for its aesthetic attraction and its technological abilities.
Yuri Pattison
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Co-location, time disprations by Yuri Pattison
Young artists such as Yuri Pattison (born in 1986) and Oliver Lric (born in 1981) use the internet as their medium;Online availability and work distribution takes priority over the same exhibitions or even authorship.
Pattison (who is completing a work period in Chisehale Gallery in London) finds ways to expose invisible work and physical structures behind this other intangible and digital world, as in this captivating co-location, displacement in time, filmed insideof the underground and uninhabited interior of an old Defense Center in Stockholm that is now used to house a data center operated by an Internet service provider.
Oliver Laric, Berlin
Laric, born in Austria and based in Berlin, explores the way in which, in an era of digital reproduction, copies and remix take priority over the original.From his influential series of video trials, "Versions" (2009), to encourage the creation of a collective adaptation of a music video of Mariah Carey in Touch My Body with "Green Screen Version" (2008), in which allVisual aspects apart from the singer were replaced by green screens as a background to insert any background.His recent ambitious project "Lincoln 3-D Scans" (2013), involved the scan and production of 3-D models of the entire collection of Usher Gallery and The Collection in Lincoln so that they were used for free for any purpose.
Ian Cheng, New York
The artist based in New York, Ian Cheng (born in 1984) is equally prone to renounce control in digital works that use video game technology and often exist as live simulations with unpredictable results.Your new commission to Serpentine Galleries will be released in early 2016 with the shape of a downloadable video game that users can manipulate.
Rachel Rose, New York
The video edited perfect.The forensic shots in the foreground, in which the camera seems to enter the same pores of the surface or the fibers of the fabric contrast with locating scenes of the female figure in a winter landscape: the palisades interstate Park in the Hudson River.The images with a selective trimming of paintings from the time of the revolution allude to the history of the park as the site of a battle during the United States Independence War, while the ingenious soundtrack gives a body effect to the images: ingeneral, it is a meditation on mortality and interconnection of events over time.Her first individual show in London was inaugurated at Serpentine Sackler Gallery on October 1, and she is the one who received the Frieze Artists Award this year.
Trisha Baga, New York
The Trisha Baga Summersion facilities (born in 1985), who is also from New York, full of light and color, take a lot of borrow from the rhythms of online searches in their composition, which suggests changing chains of relationships in the relationships in thethat the artist is the portal through which the information flows.Therefore, their facilities often present elements of their study, as if there was no separation between the context where they do their job - its daily reference framework - and work itself.
